Birtwistle's Seriousness

I attended the commemorative concert for Harrison Birtwistle on Sunday. It was a powerful occasion which has led me to think about the abandonment of seriousness in art which seems to have occurred in the last 20 years or so. Birtwistle was a serious artist - by which I mean that he never sought popularity. He was committed to his project, crystal clear in its direction and what he was doing, and uncompromising in his attitude towards whether anybody else liked it or not. 

He was lucky in the sense that his formative years coincided with a post-war spirit that supported experimental music that was often hard on the ears, but which allowed for the exploration of deeper meaning. This supportive spirit has pretty much gone with late capitalism's demand that a market must exist for whatever the artist produces. Birtwistle now has a niche because it was able to grow in better times. How could such a niche be constructed now? What do we lose if we lose our ability to do this?

Part of the problem in answering this is that art is not always for the present or a present audience - it is for a future where things that may not resonate in the present find resonance decades after the artist is dead. Birtwistle's music will make more sense and convey its power and meaning more overtly in future worlds. How do we know which art will produce this effect? This is where some kind of deeper knowledge of what matters is important. Some people can tune into this and know what matters, what needs to be preserved. Those people too are now threatened in an anti-intellectual climate which even (or maybe particularly) in universities favours work that delivers immediate gain. 

Universities are part of society's mechanism for selecting what matters. They are now failing to do this. The decline of the professoriate both in quality and power in steering institutions is a signal of what has gone wrong. It is difficult to see a way back, although it would likely feature technology I would guess. I'm not sure how though. 

If we have no mechanism for selecting what matters, the future state of knowledge is threatened. It is an analogue of the current ecological crisis - the decline in diversity of species. 

The Birtwistle piece that opened the concert was a short duet called "The message". This took inspiration from an artwork by Bob Law containing the words: "The purpose of life is to pass the message on". Birtwistle's seriousness lies in the fact that he understood this. 

All seriousness is about understanding this message.

And we can hope that the best of his music should be a sufficient transducer - like this: Harrison Birtwistle - Earth Dances - YouTube