I've been wanting to write about this for ages. The way the love story between Robert Schumann and Clara Wieck is borne out by the passion in Schumann's piano Fantasie is one of the most enlivening and heart-felt episodes in the history of music. The ending of the first movement of the Fantasie contains a quote from a Beethoven song, An die Ferne Geliebte, where there is little doubt as to who the Ferne Geliebte is.
To me this is also a passionate moment in science, because Clementine Fechner, sister of Gustav, became Clementine Wieck, and Clara's stepmother. Although Clara wasn't particularly close to Clementine, she knew Gustav Fechner, and also his artist brother. What were their discussions? Here was the founding father of psychophysics who also wrote about art and the afterlife, and the leading circle of composers (Schumann, Brahms, etc) in the 19th century.
Then if course there are the letters, like this from Robert to Clara:
One would think that no one man’s heart and brain could stand all the things that are crowded into one day. Where do these thousands of thoughts, wishes, sorrows, joys and hopes come from? Day in, day out, the procession goes on. But how light-hearted I was yesterday and the day before! There shone out of your letters so noble a spirit, such faith, such a wealth of love!
I wonder about this kind of writing. Maybe it was just a style, but we can feel the beating heart - so common throughout the romantic period. Clara was no less passionate:
Dear Robert, I love you so much it hurts my heart. Tell me what you’re writing. I would so love to know, oh please, please. A quartet, an overture — even perhaps a symphony? Might it by any chance be — a wedding present?
The idea that this intoxicating passion has a resonance with science, and particularly with my own AI story, is something (among other things) that's keeping me going right now!
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